Hawk V-lite Anamorphic, Hawk Trilogy Film and Digital TimesFilm and Digital Times, A new Hollywood Movie was Shot on Sony A7S II Combined with Hawk 65 Anamorphic Lenses YMCinema The Technology Behind Filmmaking I only have experience with the Hawk V‑Plus, but I can tell you that they are amazing. If you've never used anamorphic lenses, you should know that they can be quite heavy. I recently graded a short shot on Hawk Anamorphics and they had some issues with their cheapo DIY dolly because they didn't know that just one of the primes is about 12 lbs. Just got an email from Atlas Lens Co. They expand their wide-angle x2 Anamorphic solutions with a brand new 21mm Orion. Atlas says the Orion 21mm is the world’s widest front anamorphic cinema lens. Details below. Atlas Orion 21mm: “World’s widest front anamorphic lens” As stated by Atlas: “Pushing the boundaries of what was possible when designing a wide-angle anamorphic lens from The Hawk V-Lite Anamorphics are a series of 8 compact and lightweight anamorphic lenses for Super 35 cameras with a PL mount. Focal lengths include 28mm, 35mm, 45mm, 55mm, 55mm macro, 65mm, 80mm, and 110mm. All the lenses have a constant aperture of T2.2 (except for the 110mm T3). The V-Lite series is light and compact, making it great for Posted July 1. The only caveat is that Open Gate is larger than some 35mm format lenses are designed to cover. Even cropping the sides for a 1.85 extraction you would need an image circle of around 33.4mm diameter. The official V-Lite 1.3x sensor coverage is smaller than this, but I think most of the focal lengths should cover. Hawk V-liteShot at Hawk Los AngelesSony F35ISO 450Recorded on odyssey 7Q in ProRes 4444 formatSlog to Alexa X2 LUT appliedExported in ProRes 422 for HDR .

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